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. . . [W]e suggest that the modern welfare state is here to stay, indeed that it ought to expand the bene ts it provides but that alternative mechanisms are possible to provide welfare-state services. . . . Of course there are no panaceas. The alternatives proposed here, we believe, can solve some problems. Taken seriously, they could become the basis of far-reaching innovations in public policy, perhaps of a new paradigm for at least sectors of the modern welfare state. The basic concept is that of what we are calling mediating structures. The concept in various forms has been around for a long time. What is new is the systematic effort to translate it into speci c public policies. For purposes of this study, mediating structures are de ned as those institutions standing between the individual in his private life and the large institutions of public life. Modernization brings about an historically unprecedented dichotomy between public and private life. The most important large institution in the ordering of modern society is the modern state itself. In addition, there are the large economic conglomerates of capitalist enterprise, big labor, and the growing bureaucracies that administer wide sectors of the society, such as in education and the organized professions. All these institutions we call the megastructures. Then there is that modern phenomenon called private life. It is a curious kind of preserve left over by the large institutions and in which individuals carry on a bewildering variety of activities with only fragile institutional support.

When you are faced with an image that has both neutrals and memory colors, you will really want to adjust the neutrals first to color correct the entire image. Then you can address the memory colors to see if they need more work. Often, performing a neutralization will take care of any memory color problems as well . . . but not always.

FIGURE 10.11 The full-intensity versions of two filters are found on the left Glowing Edges (upper left) and Bas Relief (lower left). When using Fade to apply them to the unfiltered original reducing the intensity of the filters you get the results seen on the right.

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Running this code sample produces output 3.25. The print statements show that $wordref 1 and $wordref 2 have memory locations, and that ${$wordref 1) and ${ $wordref 2) do access the values. In addition, these can be abbreviated to $$wordref 1 and $$wordref 2.

5. Adjust the Angle setting in the Twirl dialog box to 25 degrees. Click OK. 6. Right-click the still image again and choose Duplicate Layer. A duplicate of the newly twirled layer is added to the Layers palette, and the new layer is automatically selected. 7. Choose Filter Distort Twirl again and click OK, or press Ctrl+F which applies the , last filter. 8. Repeat Steps 6 and 7 until there are 20 layers in the Layers palette. Each layer should be slightly more twirled (see Figure 11.12). 9. Choose Window Animation if the Animation (Animation (Timeline) palette) palette is not already open. 10. From the Animation palette menu, choose Document Settings. 11. Leave the duration setting at 10 seconds and change the frames per second to 2 fps. Click OK. 12. From the Animation palette menu, choose Make Frames From Layers. Each layer in the Animation (Animation (Timeline) palette) palette is converted to one half-second frame (see Figure 11.13).

Back in 1952, Asahi Optical, Pentax s parent company, was the first Japanese company to market a 35mm Single Lens Reflex camera. Since then, Pentax has introduced a number of firsts: first with an instant return mirror, first to add a pentaprism for eye-level viewing, first to incorporate through-the-lens metering, and first to have through-the-lens aperture priority control. While it wasn t the first company to introduce a low-cost DSLR, Pentax DSLRs are among the smallest, lightest, easiest to use, and most affordable available. Designed for simplicity and targeted at novices to serious amateurs, Pentax DSLRs run on standard AA batteries and save to ubiquitous SD/MMC cards. While its DSLRs will accommodate many Pentax legacy lenses, the company markets a line of digital-specific lenses. Pentax recently announced a strategic alliance with Korean electronics giant Samsung to produce a Samsung-branded DSLR. Whether Pentax will continue to manufacturer Pentax-branded DSLRs or will be folded into Samsung s digital portfolio remains to be seen. Read more about Pentax at www.pentaximaging.com.

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